Sacred Nine Project: Mending Sampler

FEATURING Diya Kayaleh, soprano Beth Allen-Gardner, mezzo-soprano Henry Reacher, tenor Liam O’Laughlin, baritone C. Leonard Raybon, baritone Danny Spiegel, piano PROGRAM Sacred Nine Project: Mending Sampler Sacred Nine Project is excited to celebrate John Wood Sweet’s, The Sewing Girl’s Tale, with a curated vocal concert at The University of North Carolina, Chapel Hill, where he is Professor of History. Content warning: descriptions of rape and suicide “Cost of courage,” is Sweet’s turn of phrase. He writes: As a young woman, Lanah Sawyer had a rare kind of courage. Only seventeen, a stepchild in a working family, she was easy to dismiss as a mere “sewing girl.” Yet, when an affluent gentleman showed an interest in her, she dared to image that he might really be interested in her. Violently, he dashed that dream—leaving her disoriented, distressed, and unmoored. Then, she gathered her courage and did what no one else in the nation’s biggest city had done in half a century: she charged a gentleman with rape. Then, as now, most survivors of sexual assaults by acquaintances don’t make any official complaint—and for good reason. But Lanah Sawyer refused to be shamed. She refused to be silenced. What followed was a harrowing ordeal—and a remarkable vindication. THE SEWING GIRL’S TALE is the story of this remarkable young woman’s search for justice, her determination to move beyond what had been done to her, to rebuild her life—to live with the courage of her conviction that she, too, was someone who mattered. Raybon is drawing on historical sources, early American music, and newly written poetry for the presentation. One historical source is Report of the Trial of Henry Bedlow for Committing a Rape on Lanah Sawyer, New York, 1793, by William Wyche; this is a first-hand account of the trial. Charlotte Temple: A Tale of Truth (1791) by Susanna Rowson, containing a narrative not unlike the present account, is a further historical writing. Still another earl